You might remember that wayyy back in May, the fantastically awesome Eve @ Twist In The Taile and I did a collaborative review of Lauren Aquilina’s Ocean EP and various other newish music she released, in preparation for her ~debut album~ release. And now, finally, (or as of August 25th anyway) her album is out, so of course mega fangirls Eve and I decided we should (virtually) get together again and review it. Amazingly, we managed to flail over the whole 10-track album in just one hour (our fangirling must be getting much more productive/we barely had to listen to the tracks because we knew them so well already) and produced these incredibly concise and well written reviews (jk they’re inarticulate badly punctuated fangirling word vomit I’ve made slightly more coherent but at least it’s REALISTIC (or that’s what I keep telling myself)). Anyway, here are our thoughts, track by track…
I wasn’t really that keen on this the first time I heard it, but I definitely think its grown on me. I really like how the texture thickens before the first chorus, it feels like it makes it more powerful and I also quite like the new-era Aquilina electronicy vibe. Also, likemost of her songs, the lyricism is amazing…especially ‘it’s just the lonely talking’, and ‘We’re in too deep, so let go of my hand”.
Eve:I wasn’t as keen on this on on my first listen — like, when they were released earlier? I think I was feeling a bit negative about all the electronic production compared to Lauren;s old stuff. BUT BUT BUT now I do really enjoy this one, especially the chorus! It’s VERY catchy. And I also love the whole ‘midnight mouths’ and the aesthetic of it haha.
This feels like a different, more adult Lauren, more mysterious and and dramatic, especially because, as Eve put it, of the contrast between the darker lyrics and the more dance-y production style, and also the pitch of her voice is much lower than a lot of her others songs. I also really like the contrast between the lower pitched verses and then the higher choruses. Eve and I also both thought the lyrics were specific-but-vague-and-extremely-relatable at the same time…they apply both to the specific situation she’s writing about, but also to a lot of wider aspects of life, like ‘nobody ever taught me to play this wicked game’ kinda reminded me of how much of life you’re just expected to know how to navigate alone It feels like you can apply it to almost anything which is one of the best things for you to be able to do with music. Also, side note, I seriously love the lines ‘He said he didn’t do commitment/With tattoos on his skin/Maybe I wasn’t worth the pain’ and ‘
I’ve been thinking about death/But I’ll hold my breath’.
Eve: I absolutely ADORE this one honestly, and I do feel like this is a more grown-up song on this album. But asdfjkl the lyrics are so wonderful (‘I’ve been thinking about death but I’ll hold my breath’ arghh). SPOOKY. Basically the high notes on the chorus just give me the chills every time. man I do just really love this song eek.
I love this song so much, ever since I first heard it, and the lyrics are just OMG AMAZING. ALSO KICKS = KICKING ME AROUND = PUNS/WORDPLAY = LOVE. (*pause for Eve and I to flail about amazing wordplay*). Plus yay for positivity, especially ‘I’m done being down about this’…and I also like the more modern-y electronicy-ness. Overall this song feels more mature, and the message feels less naive than some of the old-era Aquilina songs.
Eve: I love how the production feels, like…really seamless? And YAY for positive songs! Like the claps and the little electronic-y riff thing are so awesome. I feel like a bunch of songs on here seem older? Not, like, OLDER. But I guess more mature haha. There are loads of different (relationship, song, whatever) dynamics. Lots of different situations and messages and stuff. *nods*
I love this song so much! It’s more stripped-back and that makes it a nice contrast to the rest of the album and lets the emotion really shine through…it feels very raw and powerful and again, even if not in this context/situation i feel like the whole ‘how would you like it’ message is very relatable and applicable in a number of contexts, which I really like.
Eve: Also gives me the chills. This is one I loved from first listen, I think — although it’s only improved with listening. WOW SO MUCH EMOTION. So much lyrics. And I think the more stripped production works well here. (*is feeling so many things as I listen to chorus woah*) . I also…find myself singing this a lot? Yeah. And THE BRIDGE IS SO WONDERFUL.
Okay I absolutely LOVE this song (such sad times when my boyfriend said it sounded like a ‘crappy christmas song’ like oi no this song is a masterpiece. The lyrics are so good and the stripped-down-ness really works well but for me the main thing about this song is the lyrics. I especially like ‘If nothing is meant to last maybe we should drink to that’. I can totally relate to the feeling that everythings too good and something’s going to go wrong.
Eve: Okay, this one is ALSO one of my favourites. (I think I’ve said this way too many times but I do adore this.) I looove the kinda humming bit at the start?? Idk what that is but yeah. And I love the ‘I am, I am’ and ‘I know, I know’ bits. And THE CHORUS. All the background things. I love the aesthetic of it like ?? idk it feels so classy to me.I like the whole vibe of kinda…being in the moment? (This is a terrible description. But yes.) And the kinda overlays of her voice on the last chorus are stunning. [insert heart eye emoji]
The start is so good! A real contrast to the last one but it works really well, then the slowing down at the chorus and yes again the contrast between tempo and melody and lyrics. I also just love the melody of ‘why did you have to let me let you in’. Yep it’s amazing and I also like that it *feels* happy even though it def isn’t, kinda bittersweet, as Eve put it.
Eve: This one…also SO GOOD. *cries* (way too good even) (ha) (anyway) I also really enjoy listening to the pre-chorus bit? Like, I LOVE THAT. ‘this was never love it was chaos’ is such a fabulous line. And yep, the contrast between the tempo of chorus and the rest is so wonderful, works very effectively. I also feel like ‘I gave everything expecting nothing’ is a bit of a theme across some of the songs? (Idk, i feel like there was a similar line somewhere haha.) YES overall honestly this is also absolutely stellar a+.
I read somewhere that she rerecorded Fools because her voice has changed and I also agree with something else she said, about the way she sings it now is more serious and less naive because she knows how the relationship ends. Also can we please have a round of applause that she wrote this aged 16?!?! (how can she do this, GCSE music composition was hard enough!!!) Also, it’s very stripped back and bare, maybe because it’s live? Also, because this was one of the first songs she ever released, it feels like quite an important one in her career so it’s nice to have that on the album.
Eve: I like that this one feels less hurried, too — a little more reflective. Maybe that’s the lack of drums & like less piano and stuff? (also wow live honestly wow) I quite like having Fools on the album in some ways bc it feels like a sorta…full circle? And as well with that line at the end of Broke. ‘Those hardest to love need it most’ is still SUCH a powerful line tbh. The new piano stuff is rad as well yep. (idk if it’s like new but I think it’s a bit louder & different? Yes anyway wonderful)
Ahh this is just WAY TOO GOOD (wink wink nudge nudge). One reason I really love this song is because just before the album announcement she put on facebook etc a thing about how people can go from so close to completely separate so fast…I also love the ‘isn’t it strange’ line. And ‘from talking every waking hour to not knowing where you are now’ line…and it also feels very relatable because of the fear of how a relationship is going to eventually end.
Eve: Ah love the start to this, feels a bit water-y idk. It works v well as the album title too, and once again with the specific/relatable thing — I mean I relate to this a lot Suddenly Strangers is also such a fab line on its own, tbh. (sibilance! knowledge!) I also liked the combination of slightly electronic but also minimal production? (If that makes sense. The whole thing just feels very smooth to me.) Just hearing a little drum beat thing-y in the pre-chorus and IT IS VERY NICE. also the drum beat on the chorus is pretty nice *nods*
This feels very pared down, there aren’t many lines or backing but it still feels quite powerful…side note is it me or has the album got more pared down and simplistic and almost darker the further down the tracklist you go? It’s like it follows a relationship’s journey or something, and at the end it’s like the problems are more serious & unavoidable. Overall, I wouldn’t say it’s my favourite song but “all i’m thinking about is not thinking about you” is one of my fave lines on the album i think.
Eve: I was so excited to listen to this one because I remember I watched a youtube clip of her performing this live a while ago? And all the time I was waiting for the album I remembered the lyric ‘all I’m thinking about is not thinking about you’ haha. I feel like it gets more…like, serious and reflective? Bc wicked games & midnight mouths ARE the slightly more kinda tunes with more instruments & dance-y production. But also there are some quite dark lyrics throughout the whole album tbh. But I like that it does seem to follow a slightly linear thing…? OKAY just listening to that awesome piano bridge bit thing and WOW. Again getting slightly water-y vibes. The one piano note that gets played is also very cool…? And the verse has such like argh idk it just seems like a great start to the song for me. Mm yes I don’t think it’s one of my absolute favourites overall but definitely another strong song (and reminds me a little more of like kinda liars-y production? Idk yeah with all those floaty piano things and stuff.)
Eve: This is SUCH a great ending tbh. (& sure! Maybe we can touch a little more on like general stuff as well, haha we discussed it a bit above but. Let me know when you have to go!) Yeah so I think this is a great ending, I love the kinda catharsis & freedom of it. It feels a lot more abstract than the others & I think it’s good contrast…? (<— I 100% agree with all of this)
I definitely think it was an album worth waiting for, you can tell its not the first collection of songs she’s released and i really like it. It’s honestly amazing in my humble opinion. 10/10 methinks.
Eve: One random thing I noticed about the whole album in general is that there are a lot more like specific third person pronouns used? I mean, not a LOT more. But there’s also like more than just ‘you’ n stuff which I found interesting. I feel like lyrically it’s less abstract; like still absolutely stunning lyrics but more cutting to the point and less vague imagery if you get me…? Honestly…tbh I adore every song on this. I think I do enjoy it more than the Ocean EP? Although Echoes was fab. 10/10 one of my fav recent albums i will be dying over this forever.
And there you have it, a track-by-track, vaguely incoherent review/fangirl session of Lauren Aquilina’s debut album, Midnight Mouths!
Have you heard the album? What were your thoughts, and which tracks do you especially like?
– n.b. all images via Lauren’s Facebook/Instagram accounts